One of the more 'artsy farty' creative effects (in camera) is the pin hole effect. Notice the FOD difference in the two pictures.
Saturday, 13 June 2009
Pin hole (in camera effect)
One of the more 'artsy farty' creative effects (in camera) is the pin hole effect. Notice the FOD difference in the two pictures.
Friday, 12 June 2009
On lack of background blur and real story
After using the camera for a couple of days, I've come to the conclusion that massive background blur cannot be achieved with the LX3.
When I was researching for a new camera, this feature was actually on the top of my feature list, but now that I have the LX3, it has dropped to zero importance, because I have learned that one can make very interesting portrait pictures without it. My finest example is below. It was taken in a spur of the moment, when I was talking about my new camera to my neighbour and wanted to demonstrate the wide angle.

Real story: On day two I took some pictures of roses in our garden. My wife sent one picture to her work email address to put it as desktop image on her pc. Her boss saw it and was amazed by the colours and ordered it as desktop image on all of the PCs. (Yes, she's a real bossy boss...)
When I was researching for a new camera, this feature was actually on the top of my feature list, but now that I have the LX3, it has dropped to zero importance, because I have learned that one can make very interesting portrait pictures without it. My finest example is below. It was taken in a spur of the moment, when I was talking about my new camera to my neighbour and wanted to demonstrate the wide angle.
Real story: On day two I took some pictures of roses in our garden. My wife sent one picture to her work email address to put it as desktop image on her pc. Her boss saw it and was amazed by the colours and ordered it as desktop image on all of the PCs. (Yes, she's a real bossy boss...)
Wednesday, 10 June 2009
First pictures
Hm, bizar. I first published a movie, and now I publish my first pictures. Kind of says it all: I find the movie mode rather important!
So here are my first still images:
So here are my first still images:
D-Day: the Lumix LX3
After a very long period of research, I finally got it: my Panasonic Lumix LX3 compact camera. Coming to this point has been a long process of reading reviews and looking at movies and pictures of a wide variety of sources. My shortlist was: the Canon 500D, Canon HV30, Canon HF200, the GH1 (in my dreams!),the Lumix TZ7 and the Lumix LX3.
I wanted a good still image camera, but at the same time a good HD camcorder. The criteria were: matching my budget (€500), good optical zoom, low light capabilities, background blur and easy editing of movies. I must admit that it drove me crazy: each camera shortlisted would excel in one or more of the criteria, but none would excel in all. (There was one, the Panasonic GH1, which matched all the criteria, but at $1500, this camera was far above my budget.)
To cut a long story short, I chose the LX3, because I 'd rather have the best compact camera than an entry-level DSLR.
So here is the very first movie I put on vimeo, and I'm pretty sure many will follow!
I wanted a good still image camera, but at the same time a good HD camcorder. The criteria were: matching my budget (€500), good optical zoom, low light capabilities, background blur and easy editing of movies. I must admit that it drove me crazy: each camera shortlisted would excel in one or more of the criteria, but none would excel in all. (There was one, the Panasonic GH1, which matched all the criteria, but at $1500, this camera was far above my budget.)
To cut a long story short, I chose the LX3, because I 'd rather have the best compact camera than an entry-level DSLR.
So here is the very first movie I put on vimeo, and I'm pretty sure many will follow!
LX3 low light test from Ivan on Vimeo.
This is my first published movie shot with my brand new Lumix LX3. I wanted to test the low light capabilities of this wonderful camera, and I must say I like the result a lot. I hope to find a way to avoid the exposure shift, which is obvious towards the end of this clip. (You cannot lock exposure). I hope that another way of metering (there are three), will do better. This movie was shot with 'spot metering'. EDIT: after further testing, I seem to get better results using 'weighted metering' instead: the auto-exposure seems less obtrusive than in this movie. Watch my next posts to see the difference.
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